Tina Blondell

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Solo Exhibitions

2002 Fraser Gallery, Washington D.C.
2001 Shelley Holzemer Gallery, Minneapolis, MN
2000 Shelley Holzemer Gallery, Minneapolis, MN
2000 Atwood Memorial Center Gallery, St. Cloud State University, St. Cloud, MN
2000 The Women�s Club, Minneapolis, MN
1999 Shelley Holzemer Gallery, Minneapolis, MN
1998 Joan Polk Interiors, Washington, D.C.
1997 Occupied Space Gallery, Minneapolis, MN
1996 Olympics Celebrate Faith & Arts Atlanta, Central Presbyterian Art Gallery, Atlanta, GA
1996 Minneapolis College of Art & Design Gallery, Minneapolis, MN
1994 Indian Center/Multicultural Awareness Center, Lincoln, NE
1994 Galerie Peter Ohrfandl, Vienna, Austria
Exhibitions prior to 1994 include (partial listing)
Buffalo Gallery, Alexandria, VA
Thomas and Fiske Attorneys at Law, Alexandria, VA
RLP Associates, McLean, VA.

Group Exhibitions
2001 Fraser Gallery Summer Group Show, Washington D.C.
2001 Fraser Gallery The Figure in Painting, Washington D.C
2001 Minneapolis Institute of Arts Permanent Collections, Minnneapolis, MN
2000 Minneapolis Institute of Arts, Minnneapolis, MN
1999 Lexington Art League The Nude �99, Lexington, KY
1997 Brenau University Galleries 1997 Gala Exhibition, Gainesville, GA
1997 Brenau University Galleries Illumination Show, Gainesville, GA Group Exhibition
1997 Vision Gallery, Minneapolis, MN
1995 Nina Bean Gallery, Albuquerque, NM 202/Small Works
1995 Nina Bean Gallery/Arts Crawl, Albuquerque, NM
1995 Galerie Peter Ohrfandl, Vienna, Austria
1995 Buffalo Gallery, Alexandria, VA
1994 Salzburger Messe, Salzburg Austria
1994 Galerie Peter Ohrfandl, Vienna, Austria
1994 Madrid Supply Co. Gallery, On the Turquoise Trail, Madrid, NM
1994 Buffalo Gallery, Alexandria, VA
Exibits prior to 1994 include (partial listing) Klagenfurt Messe, Klagenfurt, Austria
Nina Bean Gallery, Albuquerque, NM
Fairfax County Council of the Arts, Fairfax, VA
The Art League, Alexandria, VA
Madrid Supply Co. Gallery, Madrid, NM
Presden Gallery, Santa Fe, NM
Buffalo Gallery, Alexandria, VA

Permanent Public Collections
2000 Minneapolis Institute of Arts Prints & Drawings Permanent Collection
2000 Hennepin County Commissioners Office, Helping Hands painting
2000 Hennepin County Government Center, Hennepin County History Mural
1996 Albuquerque Zoological Park Aquarium, Albuquerque, NM Commissioned Mural

Public Art Events
2000 The Women's Club, Minneapolis, MN
2000 Atwood Memorial Center Gallery, St. Cloud State University, St. Cloud, MN
1999 Hennepin County Gallery, Minneapolis, MN (October)
1999 Hennepin County Gallery, Minneapolis, MN (November)
1999 The Temptation Series, Minneapolis Government Center, Minneapolis, MN
1999 Telling It Like It Is, Minneapolis Government Center, Minneapolis,MN
1999 Telling It Like It Is, Shelley Holzemer Gallery, Minneapolis, MN
1998 Women Venture Conference, Minneapolis, MN
1996 Minneapolis College of Art & Design (MCAD), Minneapolis, MN
1996 Central Presbyterian Art Gallery, Atlanta, GA
1996 Central Presbyterian Art Gallery, Atlanta, GA
'95/'96 Art for Heart�s Sake-Auction, Albuquerque, NM Annual Charity Gala/All Faiths Receiving Home
1995 Gallery of the Repressed, Albuquerque, NM Fundraiser for the Women's Theater
1995 Full Circle Bookstore, Albuquerque, NM (February) Presentation, lecture and booksigning on "The Temptation Series"
1995 Page One Bookstore, Albuquerque, NM (January) Presentation lecture and booksigning on "The Temptation Series"
Public Art Events prior to 1995 include (partial listing)
Unitarian Church of Santa Fe, Santa Fe, NM
Residence of Architect Marjorie Viguers-Lacovara
Art Auction for the Homeless, Washington, DC.

Publication/Illustration
1997 Annual Report Cover & Illustrations, Hazelden Foundation
1995 Brochure Cover Illustration, Indian Child Welfare Act
1994 Publication of Book, "The Temptation Series"

Reviews
2000 The Southwest Journal, (November 20, 2000) "Art Condition"
2000 Channel 9, 10 O'Clock News (October 19, 2000) "The Buzz/Tina Blondell"
1999 Channel 9, 10 O'Clock News (May, 6, 1999)
1999 KFAI, 6 O'Clock News (May 11, 1999)
1999 MOAPPP Newsletter (July, 1999) "Telling It Like It Is"
1999 Southwest Journal (May 12-25, 1999) "Healing Arts"
1999 Minnesota Women's Press (April 28-May 11, 1999) "Telling It Like It Is"
1999 Southside Pride (May 11, 1999) "Telling It Like It Is"
1997 Startribune (Sept. 20, 1997) "Strong Shows Kick Off the Season for Galleries"
1996 Southwest Journal Newspaper (Nov. 27-Dec. 10, 1996) Review of "The Temptation Series"
1996 Minnesota Daily Newspaper (Nov. 14, 1996) Calendar
1996 Albuquerque Journal Newspaper (October) Arts Bits Profile of "The Temptation Series"
1996 Minnesota Women's Press (October 2-15, 1996) Review of "The Temptation Series"
1996 Albuquerque Journal Newspaper (August, 1996) Features "Underwater Seascape" mural at aquarium
1996 The Atlanta Journal/The Atlanta Constitution Newspaper, (July 25, 1996)Review of "The Temptation Series"
1996 Albuquerque Journal Newspaper (May) Arts Bits Profile of "The Temptation Series"
1995 Albuquerque Journal Newspaper (Sunday, January 8, 1995) Review of "The Temptation Series"
1995 Albuquerque Monthly Magazine (January/February, 1995) Review of "The Temptation Series"
1994 Albuquerque Journal Newspaper Friday, (November 25, 1994) Profile of artist and book
1994 Lincoln Journal-Star (Sunday, September 11, 1994) Profile of artist
1994 Vernissage Magazin, Vienna, Austria (March, 1994) Profile of artist and book

BIOGRAPHY

Born in Salzburg in 1953, Tina Blondell grew up in Austria, France and Italy. Her Austrian mother and American father blessed her with cultural diversity and a childhood steeped in the arts. Ms. Blondell, who is fluent in German, Italian and English, was immersed in the great museums of Europe from the age of five. Fondest early memories are of drawing and painting beautiful landscapes of Tuscany, Italy, with her father.

In 1971, after completing her education in Italy, she came to the United States settling first in Washington, D.C. and then New Mexico to raise her family. She moved to Minneapolis in 1996.

Ms. Blondell's paintings are intellectually captivating as well as visually arresting. Her focused, intense and provocative style challenges the viewer to study the message of each canvas. Often developing works in series, the artist carefully researches the subjects for accurate symbols to express her point. Her works explore the themes of creation, spirituality and power through the sensitivities of a woman.

Ms. Blondell became so intrigued with the ancient Anasazi culture that she began work on the extensive Southwestern Series. Early monochromatic paintings suggest the quiet peacefulness of ancient ruins while the later works feature vibrant hues of the vivid southwestern sky. Many of the paintings depict the spiritual richness of the Anasazi culture. The Southwestern Series exhibited throughout the U.S. as well as Vienna, Klagenfurt and Salzburg, Austria. Nearly all of the paintings have been sold to collectors in the U.S. and abroad.

The power and influence of women, beginning with Eve, is the subject of Blondell's Temptation Series. This 14-piece work features the hands of 12 influential women, each holding an apple representative of her unique gifts to the world. The temptation Blondell symbolizes is that of each woman�s knowledge and how she chose to use it. In 1994 reproductions of The Temptation Series, along with 14 accompanying poetic essays about the women, were published in a limited edition portfolio-style book.

In The Cradle of Civilization Series Ms. Blondell draws upon her European roots and the precious decorated egg collection of a favorite aunt. The striking colors and patterns on the eggs represent authentic, centuries old prayers of special significance to the giver and recipient. The 13-piece series combines large images of the eggs and symbols of spiritual life and fertility with respect and reverence for womankind.

A recent explosion of ideas work has brought Tina back to her true passion, working with the figure in a variety of mediums; watercolour, oil, acrylic and mixed media. This has allowed her to delve deeper into her subconscious and reveal emotionally honest images. The Fallen Angels have impressed both collectors and curators alike. In 2000, The Minneapolis Institute of Arts acquired one of the watercolours from this body of work.

The crisp, clean style of this artist, combined with her intellectual depth, make Blondell's paintings appealing on a very personal level. Her varied works clearly reveal many of her interests, her values and even her sense of humor. Perhaps these qualities are what endeared her work to thousands attending an exhibit during the 1996 Olympics in Atlanta.



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